On his new record Tributary Tales, set to release April 21 on Motéma Music, pianist and composer Gerald Clayton traces paths of myriad streams – personal, experiential, intangible – that flow into one another, creating a musical narrative greater than the sum of his individual compositions.
“I feel like the various encounters in my life are in their own way tributaries – like every trip is somehow an opportunity to discover a new type of bend in the river,” Clayton says. “The various places, people, foods and cultures I’ve been able to experience in my travels, all the musicians I gathered for this project and all the songs I’ve written – there’s a feeling of connectedness between them, even though they’re all their own separate entities.”
Clayton imbues Tributary Tales with a range of influences, including dialects and vocabulary handed down from his father, bassist and composer John Clayton and uncle, saxophonist Jeff Clayton, to contemporary expressions he heard growing up as a child of the ’80s and early ’90s. In Clayton’s unique vision, those diverse inspirations are impossible to unravel, melding together into a sound that resonates with modern styles as boldly as it evokes classic and timeless sounds.
Gerald Clayton – piano
Joe Sanders – bass
Kendrick Scott – drums